How can i make sunset steed

The colors of New Orleans are something that I have carried with me from the trip and still find as a source of inspiration. The most memorable moment for me was making the drive across the Lake Pontchartrain Causeway as the sun was setting.

We made our way to Fontainebleau State Park to watch the sun set over the lake: truly a magical moment for my family and me. It felt more like being on a private beach than anything else, and the way the sun came through the trees provided some of the best images from our trip.

For being just outside the city , it felt like we had escaped to somewhere more remote. Oil on canvas, 60 x 72 inches. Courtesy of the Artist. I wanted to paint this subject because I felt, watching the Olympics, that all the athletes are so in tune with themselves: it is the most Zen moment there can ever be.

I just think there is something magical about that. I like that philosophy of trying to live your life everyday, in the moment, and trusting. Everything depends on the moment: in one they are about to dive into the water, in another they are frozen mid-air. So each time you paint it, there is a different kind of time. You know the way time can exist in paintings? I watched the Olympics and took pictures with my phone of the TV screen, and then from those images I have made the paintings.

I wanted to take the pictures with my own phone because that made it personal. My way of taking ownership of that moment. Do you want the remoteness or intimacy? What is our viewing connection to this space? I think as an image-maker I am always searching for an image that will be challenging that will have some of the elements that I find exciting in painting.

And these things allow me to make it in an observational way. I always need that sense of nature, and this is a part of nature in a way, these sports: human beings, in this coliseum, and I like it because it sometimes borderlines on some kind of abstraction, too. But it is not abstraction, it is something that always excites me.

Clintel Steed, Taekwondo 2 Olympic Series , Oil on canvas, 30 x 30 inches. We are looking now at a painting of a Taekwondo match: The fighters are like a readymade abstraction, because of the uniforms and the way they are blocked in, the cube-like nature of their moves.

Shapes and forms interacting with each other. The thing is to be able to be open enough or aware enough. Did you feel, in any way, that the exuberance of the Olympics and its appeal across boundaries took you away from the darker imagery you have explored in your work? I am always trying to find some kind of subject matter. Sometimes I am just filling up the time, but with this, I just knew that I wanted to paint it. That figure walking along there, a judge or an official, almost becomes a dominant figure in this composition.

He is no less interesting than the fighters. There does seem to be a strong democracy across your surfaces: not so much of a figure-ground relationship. I think about surface a lot. Relationships: relationship to the rectangle, for instance. I want these areas to be activated, to somehow have their say, too.

Everything has to have an impact, and that gives it its all-overness. There is no hierarchy to me. It is how that dynamic symmetry or whatever starts to happen. You are being pushed or pulled. Even though this is a dead moment in the painting somehow it has weight to it; it is reacting to those figures; that yellow and that black are communicating to each other. This is something that makes the work dynamic, just visually.

Clintel Steed, 3mm Dive 1, Oil on canvas, 48 x 60 inches. Run through your story. I was born in Salt Lake City. He offered for me to stay for the year but Susanna Coffey told me I needed to go to grad school, to get my degree, so I went to Indiana University.

I was working at the Met and I saw Graham and he said, come back to the School for a year and apply for it again, as they were exploring the idea of a PhD program. That never really happened but I ended up going back to school for four years. Grab Now. EN Login. View more popular images. Discover and free download excellent beautiful dream grassland sunset lake steed in xinjiang HD photos on Lovepik, this picture format is JPG, lovepik number is , usage scene is Nature, the size is 2.

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